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A method for ASCII art that uses a variety of weights of proportionally-spaced fonts. Images can be rendered using characters that best match the local features of the image or using specific text."

Christopher Hitchens—Out of Letters

1 · Christopher Hitchens in Letters and Words

The images shown here were created as part of my ASCII Art project, which extends ASCII art to include

  • proportionally spaced fonts
  • a variety of font weights in a single image
  • both tone and structure of the image to select characters
  • fixed strings to render an image in legible text

Applying the code to images of Hitchens was motivated by my own deep love of Hitchens and a typographic portrait of Christopher Hitchens, created out of Gill Sans letters by Miles Chic at Capilano University.

Also, what's the reason for reason this season? Why, Hitchmas, of course.

Willing to fight against unreason? Curious about the luminous and wary of the supernatural? If so, you might want to substitute your Christmas with Hitchmas — it comes earlier and there's scotch.

2 · Basic ASCII art

All images are generated using Gotham, with up to 8 weights (Extra Light to Ultra). Each image includes size and characters used for the image. I give the absolute type size, though only useful to know in relative terms to the size of the image and other images drawn with the same method. The color of text in each layer is the same—black— but font weight may vary.

Some images are generated using more than one layer of ASCII. In some cases the characters used in each layer are different.

As the font size is reduced, greater detail and contrast can be achieved.

Christopher Hitchens - ASCII Art / Martin Krzywinski @MKrzywinski mkweb.bcgsc.ca
Christopher Hitchens ASCII Art. method: Gotham font, 8 weights, 43pt set: . x 8 : * @ - \ | _space_ / (source from Christian Witkin/Twelve/Grand Central Publishing) (source)
Christopher Hitchens - ASCII Art / Martin Krzywinski @MKrzywinski mkweb.bcgsc.ca
Christopher Hitchens ASCII Art. method: Gotham font, 8 weights, 29pt set: . x 8 : * @ - \ | _space_ / (source from Christian Witkin/Twelve/Grand Central Publishing) (source)
Christopher Hitchens - ASCII Art / Martin Krzywinski @MKrzywinski mkweb.bcgsc.ca
Christopher Hitchens ASCII Art. method: Gotham font, 8 weights, 17pt set: . x 8 : * @ - \ | _space_ / (source from Christian Witkin/Twelve/Grand Central Publishing) (source)
Christopher Hitchens - ASCII Art / Martin Krzywinski @MKrzywinski mkweb.bcgsc.ca
Christopher Hitchens ASCII Art. method: Gotham font, 8 weights, 11pt set: . x 8 : * @ - \ | _space_ / (source from Christian Witkin/Twelve/Grand Central Publishing) (source)

By setting the image with a fixed string, such as a short quote or longer body of text, detail is lost but the ASCII representation takes on more meaning.

Christopher Hitchens - ASCII Art / Martin Krzywinski @MKrzywinski mkweb.bcgsc.ca
Christopher Hitchens ASCII Art. method: Gotham font, 8 weights, 11pt set: godisnotgreat (source from Christian Witkin/Twelve/Grand Central Publishing) (source)
Christopher Hitchens - ASCII Art / Martin Krzywinski @MKrzywinski mkweb.bcgsc.ca
Christopher Hitchens ASCII Art. method: Gotham font, 8 weights, 29pt set: godisnotgreat (source from Christian Witkin/Twelve/Grand Central Publishing) (source)
Christopher Hitchens - ASCII Art / Martin Krzywinski @MKrzywinski mkweb.bcgsc.ca
Christopher Hitchens ASCII Art. method: Gotham font, 8 weights, 11pt set: Hitchslap 11 (source from Christian Witkin/Twelve/Grand Central Publishing) (source)
Christopher Hitchens - ASCII Art / Martin Krzywinski @MKrzywinski mkweb.bcgsc.ca
Christopher Hitchens ASCII Art. method: Gotham font, 8 weights, 5 layers (11pt -6deg, 17pt 6deg, 29pt -3deg, 43pt 3deg, 59pt 0deg) set: godisnotgreat (source from Christian Witkin/Twelve/Grand Central Publishing) (source)
Christopher Hitchens - ASCII Art / Martin Krzywinski @MKrzywinski mkweb.bcgsc.ca
Christopher Hitchens ASCII Art. method: Gotham font, 8 weights, 7pt set: . x 8 : * @ - \ | _space_ / (source from Gasper Tringale) (source)

3 · Multi-layered ASCII art

Images take on detail when several rotated layers of text is used. Each of the images below is composed of more than one layer, starting with a 2-layer image which uses the uppercase alphabet at 0 and 90 degrees.

Christopher Hitchens - ASCII Art / Martin Krzywinski @MKrzywinski mkweb.bcgsc.ca
Christopher Hitchens ASCII Art. method: Gotham font, 8 weights, 2 layers (0deg, 90deg) set: A-Z (source from HBO) (source)

Meaning can be added to the image by using different text in each layer. In the examples below, I set the same image using the pair "Godisnotgreat" (at 0 degrees) and "religionpoisonseverything" (at 90 degrees). In the second example, I use the unlikely combination of "Jesus" and "Mohammad"—inspired by Jesus and Mo.

Christopher Hitchens - ASCII Art / Martin Krzywinski @MKrzywinski mkweb.bcgsc.ca
Christopher Hitchens ASCII Art. method: Gotham font, 8 weights, 2 layers set: Godisnotgreat. 0deg Relionpoisonseverything. 90deg (source from HBO) (source)
Christopher Hitchens - ASCII Art / Martin Krzywinski @MKrzywinski mkweb.bcgsc.ca
Christopher Hitchens ASCII Art. method: Gotham font, 8 weights, 2 layers set: Jesus 0deg Mohammad 90deg (source from HBO) (source)

When rotated layers contain punctuation, very high level of detail can be achieved.

Christopher Hitchens - ASCII Art / Martin Krzywinski @MKrzywinski mkweb.bcgsc.ca
Christopher Hitchens ASCII Art. method: Gotham font, 8 weights, 2 layers set: . : - + * _space_ 0deg / 90deg (source)

The image below is made out of layers that contain only forward (/) and back (\) slashes.

Christopher Hitchens - ASCII Art / Martin Krzywinski @MKrzywinski mkweb.bcgsc.ca
Christopher Hitchens ASCII Art. method: Gotham font, 8 weights, 2 layers set: \ / (source)

The image below is made using only the period character in three layers rotated at –45, 0 and 45 degrees. Although the image looks like a pixelated version of the original—it is more than that. It is a typeset representation that uses 8 weights of Gotham. Character spacing between periods is informed by font metrics.

Christopher Hitchens - ASCII Art / Martin Krzywinski @MKrzywinski mkweb.bcgsc.ca
Christopher Hitchens ASCII Art. method: Gotham font, 8 weights, 2 layers set: . (source)
Christopher Hitchens - ASCII Art / Martin Krzywinski @MKrzywinski mkweb.bcgsc.ca
Christopher Hitchens ASCII Art. method: Gotham font, 8 weights, 2 layers set: 8 X x | ^ : . - = + ' " @ \ / | * ~ , # (source from The Australian) (source)

4 · Hitchens at the podium

The three images below show the difference between using a variety of punctuation characters and setting an image using a block of text. The first image uses "8 X x" and common punctuation.

Christopher Hitchens - ASCII Art / Martin Krzywinski @MKrzywinski mkweb.bcgsc.ca
Christopher Hitchens ASCII Art. method: Gotham font, 8 weights, 11pt set: 8 X x | ^ : . - = + ' " @ \ / | * ~ , # (source)

I use Hitchslap 9 for the first image below, and all the Hitchslaps for the second image. When setting an image in using a block of text, the choice of character at any position is fixed and only the font weight is allowed to vary. When the text is relatively short (e.g. Hitchslap 9 is 544 characters and is repeated 50 times in the image), rivers of space appear in the image.

Christopher Hitchens - ASCII Art / Martin Krzywinski @MKrzywinski mkweb.bcgsc.ca
Christopher Hitchens ASCII Art. method: Gotham font, 8 weights, 11pt set: Hitchslap 9 (source)
Christopher Hitchens - ASCII Art / Martin Krzywinski @MKrzywinski mkweb.bcgsc.ca
Christopher Hitchens ASCII Art. method: Gotham font, 8 weights, 11pt set: all Hitchslaps (source)

In both cases, the image is very recognizable.

5 · Recursive ASCII art

When an image of text is set with the text itself, you have recursive ASCII art. Below is Hitchslap 2, set with itself. In the image, the font is Gotham and the text used to asciify the image is also Gotham.

It makes ordinary moral people, compels them, forces them, in some cases orders them do disgusting wicked unforgivable things. There's no expiation for the generations of misery and suffering that religion has inflicted in this way and continues to inflict. And I still haven't heard enough apology for it. — Christopher Hitchens

The quote is 307 characters long and is repeated 391 times in the image.

Christopher Hitchens - ASCII Art / Martin Krzywinski @MKrzywinski mkweb.bcgsc.ca
Christopher Hitchens ASCII Art. method: Gotham font, 8 weights, 11pt set: Hitchslap 2 (source from Hitchslap 2) (source)

In principle, the process of asciifying text with text can be repeated, by using the asciified image as input for asciification with progressively smaller text.

news + thoughts

Nature Biotechnology cover

Thu 23-04-2026

My cover design on the 7 April 2026 Nature Biotechnology issue shows the dendrogram that represents a cluster of uniquely expressed (or downregulated) genes in human naive stem cells induced from such cells. Within each dendrogram block, the genomic barcode sequence (sampled from Supplementary Table 1) is depicted with a Code 39 barcode. The highlighted barcode is one of those used for cell isolation.

Ishiguro S. et al. A multi-kingdom genetic barcoding system for precise clone isolation (2026) Nature Biotechnology 44:616–629.

Martin Krzywinski @MKrzywinski mkweb.bcgsc.ca
My Nature Biotechnology phylogenetic tree cover (volume 44, issue 4, 7 April 2026). (more)

Browse my gallery of cover designs.

Martin Krzywinski @MKrzywinski mkweb.bcgsc.ca
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Happy 2026 π Day—
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Fri 13-03-2026

Celebrate π Day (March 14th) and enjoy the art — but only if you're part of the 5%.

Go ahead, see what you can't see.

Martin Krzywinski @MKrzywinski mkweb.bcgsc.ca
2026 π DAY | Art for the 5%. Shown in the style of Ishihara color test plates, the art is visible only to those with colour blindness. (details)

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I also provide the position, size, and color of each circle on each test plate.

Martin Krzywinski @MKrzywinski mkweb.bcgsc.ca
ISHIHARA'S TEST PLATE 6 | This plate is part of the set of transformation plates. If you see 5, you're ok. If you see 2, you're not. (details)
Martin Krzywinski @MKrzywinski mkweb.bcgsc.ca
ISHIHARA'S TEST PLATE 18 | This plate is part of the set of mysterious hidden plates. If you don't see anything, you're ok. If you see 5, you're not. (details)

Symmetric alternatives to the ordinary least squares regression

Wed 23-07-2025

What immortal hand or eye, could frame thy fearful symmetry? — William Blake, "The Tyger"

This month, we look at symmetric regression, which, unlike simple linear regression, it is reversible — remaining unaltered when the variables are swapped.

Simple linear regression can summarize the linear relationship between two variables `X` and `Y` — for example, when `Y` is considered the response (dependent) and `X` the predictor (independent) variable.

However, there are times when we are not interested (or able) to distinguish between dependent and independent variables — either because they have the same importance or the same role. This is where symmetric regression can help.

Martin Krzywinski @MKrzywinski mkweb.bcgsc.ca
Nature Methods Points of Significance column: Symmetric alternatives to the ordinary least squares regression. Geometry of quantities minimized in OLS and symmetric regression. OLS minimizes `\Sigma e_y^2` in `Y` ~ `X` and `\Sigma e_x^2` `X` ~ `Y`. Pythagorean regression minimizes AB (magenta). Geometric means regression (GMR) minimizes area of ABP (orange). Orthogonal regression (OR) minimizes HP (blue). (read)

Luca Greco, George Luta, Martin Krzywinski & Naomi Altman (2025) Points of significance: Symmetric alternatives to the ordinary least squares regression. Nat. Methods 22:1610–1612.

Beyond Belief Campaign BRCA Art

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Propensity score weighting

Mon 17-03-2025

The needs of the many outweigh the needs of the few. —Mr. Spock (Star Trek II)

This month, we explore a related and powerful technique to address bias: propensity score weighting (PSW), which applies weights to each subject instead of matching (or discarding) them.

Martin Krzywinski @MKrzywinski mkweb.bcgsc.ca
Nature Methods Points of Significance column: Propensity score weighting. (read)

Kurz, C.F., Krzywinski, M. & Altman, N. (2025) Points of significance: Propensity score weighting. Nat. Methods 22:638–640.

Martin Krzywinski | contact | Canada's Michael Smith Genome Sciences CentrePHSA
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